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・ Saturday Night Live cast members
・ Saturday (Oooh! Ooooh!)
・ Saturday (Rebecca Black and Dave Days song)
・ Saturday (The Enemy song)
・ Saturday (The Reivers album)
・ Saturday Adoption
・ Saturday Afternoon at the Opera
・ Saturday AM
・ Saturday AM (TV3)
・ Saturday Arvo Football
・ Saturday at Midnight
・ Saturday at the Symphony
・ Saturday Banana
・ Saturday Breakfast
・ Saturday Club
Saturday Club (BBC radio)
・ Saturday Club (Boston, Massachusetts)
・ Saturday Club (TV series)
・ Saturday Club (Wayne, Pennsylvania)
・ Saturday Cookbook
・ Saturday Creek
・ Saturday Date
・ Saturday Date with Billy O'Connor
・ Saturday Disney
・ Saturday Disney (New Zealand TV series)
・ Saturday Evening Puss
・ Saturday Farm
・ Saturday Freedom
・ Saturday Gigs
・ Saturday Group


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Saturday Club (BBC radio) : ウィキペディア英語版
Saturday Club (BBC radio)

''Saturday Club'' was an influential BBC radio programme in Britain, broadcast on the Light Programme and later Radio 1 between 1957 and 1969. It was one of the earliest – and for several years almost the only – radio programme in the country to broadcast pop music. For most of its history it was presented by Brian Matthew.
==''Saturday Skiffle Club''==
The programme began after a suggestion by producer Jimmy Grant. He initially proposed a modest series called ''Skiffle Session'', featuring two or three singers with a skiffle group. At first, BBC management was unsure that there should be a radio show specifically for teenagers, but auditions were held for musicians including Chas McDevitt, and a weekly programme was agreed. As ''Saturday Skiffle Club'', it was first broadcast on 1 June 1957. It had a budget of £55 per week, and newsreader Brian Matthew as announcer. Cliff Richard failed an audition for the programme and was not used, but early regular performers included McDevitt, the Vipers Skiffle Group, Johnny Duncan and his Bluegrass Boys, and George Melly and his Bubbling Over Four. The budget was increased on occasions when Lonnie Donegan, the top skiffle star of the time, performed. Although the experimental programme was successful, management was concerned about the high proportion of American songs performed, and also about the use of songs with religious themes.〔( Article on "Saturday Club" by Spencer Leigh )〕

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